Hannah Cobb

A mock court hearing staged by the n-Space fellows and a team of legal professionals in April, in which a fictional defence tech company was put on trial for war crimes. Read more about the event here.

A speculative response to Dead Internet Theory, led by interviews with a range of leading artists, professors, and researchers in Digital Culture such as Simon DeDeo, Terence Broad, Eddie Mitchel, POSTPOSTPOST, Idil Galp, Thomas Sommerer, Lukas Amacher and Anna Rose Kerr. Originally commissioned for Patchlab Festival, Krakow. Watch here. 

Specially commissioned one-minute videos that bring together extreme weather fictions and generative AI techniques into a series of speculative forecast moods. Originally commissioned by Shumon Basar for Global Art Forum 2024. Watch here.

An hour-long sci-fi film predominantly made using a wide array of different AI tools and methods, based on Ursula K. Le Guin’s The Disposessed. Watch here.

Lore Island at the end of the end of the internet. Short film collaboration Shumon Basar for Zora Zine. Read more here.

Visual Identity for the book Too Many Humans. The work brings together ten case studies of physical spaces that are governed by the logics of digital platforms, where new forms of labour emerge and evolve, such as dark kitchens, fulfilment centres, influencer factories and deployable operations centres, amongst others. Buy the book here.

EP cover concept and design. Listen to Ida’s EP here.

Logo design for Anna Lehoczki. View here.

Poster design for 01366. View the posters here.

Participatory talk with the n-Space fellows, discussing the evidence needed to prove Company X guilty beyond reasonable doubt at the annual Storytellers + Machines conference, SoDA, July 2026.

Screening of Undead Internet Theory followed by a conversation with friend and curator Milia Xin Bi. Watch the talk here.

Co-curator of the discourse programme for Global Art Forum 18, Dubai, 2025. View the full lineup here, and an example of one of the sessions here.

Commissioned to produce a new work for Patchlab Digital Art Festival, Krakow. Read more about the show here.

Invited to speak at the Bodies of Sound: Channelling Voice symposium organised at Liverpool John Moore’s university by Roy Claire Potter and Sarah Shin. Read more about the event here.

A talk by Y7 at the Architecture Association on the gamification of life. Watch the full event here.

A talk on Y7’s essay Post-Music: Apocalypse Soundcheck, published by 032c in early 2024, at Unsound Krakow. Read more here.

Commissioned to make a series of short interstitial videos for and speak at Global Art Forum 2024. Read more here.

Panel talk hosted by Zora Zine at Reference Point, London. A presentation of a WIP of Core + Lore followed by a conversation with Shumon Basar. Read more here.

Remastered tracks from debut EP artifact can be heard here.

Previously a member of Working Men’s Club on synth and vocals, touring the US, EU and UK. Here is John Cooper Clarke at Glastonbury 2023.

A new space at Somerset House Studios for interdisciplinary experimentation across art and technology, bringing together artists, technologists and academics. View the page and the rest of the fellows here.

Upcoming research residency at Mouhit Space, Tunis. Y7 will undertake a month’s period of research led by the title Culture, Technology & the Future. Read more about Mouhit here.

10-day residency to create new work in response to the Hybrid Futures exhibition at Salford Museum and Art Gallery. I developed a performance starting with ideas surrounding fluidity, interconnectivity and notions of collectivity as inspired by Shezad Dawood’s work Leviathan: From the Forest to the Sea. Read more about the work here.